Twenty-five miles north of the Chicago Loop, the City of Highland Park is nestled along beautiful Lake Michigan for nearly five miles, it is the heart of the North Shore and home to Ravinia Festival, the award-winning Rosewood Beach, numerous events and festivals and a bustling downtown. Nearly 30,000 residents and over 900 businesses are proud to call Highland Park home. One of the City’s core priorities is community vibrancy which is achieved in part through proactive and transparent communication. In 2018, the City invested in a high-definition multi-camera live streaming system to continue to provide excellent communications.
Hayley Garard, Assistant to the City Manager and project lead, stressed the importance of transparent communication within the City of Highland Park.
“The City uses a variety of communication platforms daily including the website, electronic newsletters, monthly mailed newsletters, Twitter, Facebook, and our TV channel to keep residents and businesses informed and allow them to take an active role in the community.”
Hayley comes from a telecommunication/production background, with a bachelors in telecommunications and a masters in public relations and journalism. “I like telling the City’s story, and sharing all of our amazing accomplishments through all available channels including our broadcast television.”
The City’s recent investment in their channel started with upgrading the basics. Before the transition began, the City Council broadcast room looked like a scene from a 1990’s movie- VHS tape machines for recording, vintage IBM Model M style keyboards controlling an SD playout with no titles or graphics. A lot of upgrades would need to take place to allow Highland Park to continue to live stream basic City meetings.
“As parts of the broadcast system started to break we couldn’t find the equipment to replace it. Nothing is standard definition anymore,” said Hayley.
City Video Producer, Vic Walter, worked with Key Code to build out the initial specs. Then, Key Code Media designed a broadcast system which would bring the City Council Chambers into High Definition. The design included Panasonic PTZ cameras, which gives more flexibility with shifting camera angles and zoom. A 4K-capable NewTek TriCaster TC-1 system provides the backbone switching, live streaming, recording, graphics, and social media publishing tools- a swiss-army-knife box providing the necessary tools to produce a modern broadcast. A Castus QuickCast is leveraged for scheduling and playout.
The entire system was build inside a Bigfoot Mobile case with industrial wheels, allowing the system to be rolled onsite to different locations allowing for live streaming of local festivals and events.
“The update, in general, allows us greater flexibility and adaptability. We have only had the unit a few months and are still learning, but Kevin Bruce (Key Code Media) has been incredibly responsive and continues to support the City through training and troubleshooting. We have been receiving inquiries from surrounding communities and would be more than happy to share our story,” said Hayley.
Key Code Media provided the City of Highland Park, Illinois with a full SD to HD studio upgrade, packaged in a mobile live production solution. Hardware included NewTek TC-1, Panasonic USA PTZ Cameras, AJA Video Systems Kumo Router, Castus Playout, and Bigfoot Mobile Systems Case.
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Tuesday February 6th in Chicago at Rock Bottom Brewery, and Thursday February 8th in Detroit at Lockharts BBQ, Key Code Media is hosting our Sony & Ross Production Day, now presenting with Fujifilm. All three manufacturers are partnering to bring you a complete production system with a real switcher, real graphics, and real audio, not to mention real cameras and real lenses!
The new Ross Graphite production system consists of a Carbonite production switcher, XPression graphics system, and RAVE audio mixer all in one device. Acquire your footage with Sony’s new state-of-the-art FS7 II, FS5, HXCFB80, that is 4K ready, or the latest PTZ cameras BRCX1000/BRCH800, capable of 48x zoom in HD. Couple that with a Fujifilm MK18-55mm T2.9 or MK50-135mm T2.9 lens and you will have one of the most robust live broadcast and production systems on the market!
Graphite’s Primary Capabilities as having one of the most popular, mid-sized switchers – Carbonite – allows you to generate engaging programs and content. Two powerful MEs form the foundation of the switcher, possessing complete keying and effects capabilities. Refined memory and a customizable control system provides simple set-ups and operation of every component of Graphite: graphics, clips, stills, and audio.
The Sony FS7 II builds upon the proven FS7 platform, adding the latest, state-of-the-art Sony technology, including Electronic Variable ND Filter and a robust “Lever Lock Type” Sony’s E-Mount. Extensive refinements to the viewfinder support system and SmartGrip arm mechanism ensure super-fast and secure “on the run” rig repositioning. All of this while still retaining the Zen-like simplicity, flexibility and operational comfort of the FS7’s “multi-award winning” industrial design.
Fujifilm’s lenses achieve high optical performance and low distortion with T2.9 speed across the entire zoom range. Super 35mm/APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact & “less than 1kg” lightweight body, and excellent cost performance. It suppresses “focus shift and optical axis shift while zooming” and “Lens breathing”. Also, it features three fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch and a 200° focus rotation angle for sophisticated operability.
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