Courses

Adobe Cloud Post Production: Camera To Cloud

 

In this episode of Broadcast2Post, Adobe product specialists from Premiere Pro and Frame.io join the Key Code Media team and LucidLink to take a deeper look into how Adobe cloud workflows enable seamless collaboration for post production teams.

https://youtu.be/vatHN2mE4_o

 

What Types of Cloud Tools Exist for Adobe Post Production?

 

  • Virtual Workstations – Virtual Workstations help editors access powerful creative computers hosted in the cloud, using control protocols like PCoIP.
  • Cloud Storage – Cloud Storage provides tiers of fast active or slow archive storage. There are also storage filesystems that can be overlayed that mirror how facility storage works and responds- but in the cloud.
  • Data Transfer– enabled quicker delivery of media in & out of the cloud.
  • File Synchronization – gives users the ability to view and edit all cloud-based media. Download files that you need locally- or just use media on your timeline streaming from the cloud.
  • Cloud Encoders – enabled high-quality video streams from the cloud- for editors at home or ‘over the shoulder’ review & approve.
  • Cloud Transcoding – highly scalable systems that process media at levels that would be cost-prohibitive for on-prem.
  • Cloud Media Management tools – allow your media asset library to be accessed by a team or clients via a web browser, with tag, comment, download, and a host of features for teams.

 

Adobe Premiere Pro Cloud Solutions

 

When it comes to Non-Linear-Editing collaboration in the cloud- the approaches vary by software preference. We cover more in our cloudy future for post production blog, but we’ll focus on Adobe Premiere Pro solutions here:

  • Adobe Premiere Pro + Lucidlink + Frame.io – Adobe recently invested in cloud startup Lucidlink, which provides cloud storage and synchronization functionality- allowing editors to edit multiple streams of video from the cloud- on their home Adobe desktop application. A cloud hybrid workflow. Frame.io provides asset management, metadata management, and a review & approval process through a secure web app.
  • Adobe Premiere Pro Productions - Premiere Pro Productions is a new organization feature in Premiere that introduces “projects” and “project locking” workflows that most collaborative ‘team-based’ workflows have been using for many years. Combined with a Cloud NAS solution, like LucidLink, a team can collaborate remotely on the timeline.
  • Adobe Team Projects – Teams leverages built-in Adobe Creative Cloud to share and collaborate on media, projects, and sequences with other Creative Cloud users. Teams is available for all Adobe Creative Cloud and enterprise customers.

There are a host of third-party solutions that bring NLE experiences and the entire post-production process into the cloud.

 

Examples of Vendor Services By Cloud Post Production Solutions

 

  • Virtual Workstations – Bebop Technology and Teradici provide zero clients and thin clients so customers can edit using high-powered virtual workstations with most NLE and imported Plug-ins built right in.
  • Cloud Storage – Amazon AWS- Simple Storage Service or S3 provides just that- simple storage- and is the most commonly used. There are six Amazon AWS cloud storage products available- but it’s worth mentioning Amazon Glacier which is cloud archive storage.
  • Data Transfer Tools – if you’re using a BeBop solution, BeBop Rocket quickly moves media into your cloud storage. Amazon AWS Snowcone is another popular premise-to-cloud data moving tool.
  • File Synchronization – Lucidlink was discussed earlier as an easy ‘dropbox’ like functionality for video. However, when it comes to having many editors using multi-cam or large amounts of media- storageDNA fabric provides an enterprise approach to syncing files at a facility and at multiple at-home editor locations.
  • Cloud Encoders – Depending on the application- BeBop REV allows real-time ‘over the shoulder’ collaboration within their ecosystem. Teradici uses PCoIP to provide secure high-quality control for the remote.
  • Cloud Transcoding – Telestream Vantage Cloud Port can simultaneously process premise and cloud-based content in a single workflow.
  • Cloud Media Management tools – FrameIO and others have review and approval cloud workflows that keep teams in tight communication- even when team members are from outside your organization

Please keep in mind, we’re only giving a few examples here. There are many types of solutions that fit a variety of needs and budgets. Contact Key Code Media to get the conversation started on what is the best cloud post production path for your business.

 

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Remote Production: Balancing Work and Life

Wednesday April 8th

As we move rapidly to adopt remote technologies that enable us to propel our respective businesses forward, there is an impact that this radical shift has on our day to day work environment. Please join us for a conversation with, Zeb Chadfield, founder of The Finish Line – the largest distributed finishing house in the UK.

Zeb will share his approach to collaborating remotely with clients and teams over the last five years. With the mental well-being of his teams at the forefront of his company's mission, Zeb will offer insight on how to shift teams from being on-site to using virtual set ups, while creating an atmosphere of collaboration and well-being, using proven best practices for working with remote technologies.

https://youtu.be/8HGZnwro6Hs

Adobe Productions For Premiere Pro (INPUTS/OUTPUTS EP. 1)

Productions was designed from the ground up with input from top filmmakers and Hollywood editorial teams. Early versions of the underlying technology were battle-tested on recent films such as “Terminator: Dark Fate” and “Dolemite is My Name.” Special builds of Premiere Pro with Productions are being used now in editorial on films like David Fincher’s “MANK.”

Productions is all about efficiencies. You can reuse clips or sequences from any projects in your Production without creating duplicates. This helps keep your projects files tidy, small and fast.

Productions are designed for collaborating. Using shared local storage, multiple editors can work on different projects in the same Production. With project locking, colleagues can still access your projects and copy content from it, but they can’t make changes until you are ready.

Break up large projects into reel and scenes to divide amongst your editorial team. Keep a season of shows in one Production for easy referencing and reuse common elements like title sequences and audio elements.

With Productions, you have full control of your content. Your projects and assets can live entirely on your local storage. If needed, you can do all of your work without an internet connection.

If you have any follow questions about Adobe collaborative workflows-we are happy to help:

Key Code Media Presents: Broadcast2Post Web Series

https://youtu.be/OVR1JGKFxc0

DECEMBER 2019: SNS | Premiere Edit, Resolve Finish Roundtrip Workflow

How is your team organized to collaborate on editorial? Are you looking to efficiently roundtrip Premiere Pro for post production, and DaVinci Resolve for color grading and finishing?

This month, Key Code Media’s Broadcast2Post Web Series is inviting SNS (Studio Network Solutions) to demonstrate how post production facilities can better collaborate with multiple editors, motion artists, designers, producers and other team members through roundtrip Premiere Pro to Da Vinci Resolve color grading.

We’ll cover the basics of exporting AAF or XML from Premiere Pro to DaVinci Resolve. Then, we’ll show how you can take collaboration with these two NLE’s to the next level. Create a searchable, organized database of our media so you always know how to find the right shot. Improve metadata management in Premiere and DaVinci projects, saving time with easy-to-use automation. See a real-world example of how Adobe Premiere Pro and DaVinci Resolve can be leveraged in your production facility to create more flexibility and efficiencies.

**A link to the webinar will be provided 5-days prior to the event via email. Register now to attend!

SNS SHAREBROWSER ShareBrowser enables your users to organize and search for media and projects across EVO storage as well as local, offline, and other SAN/NAS network disks. Assets can be catalogued, tagged, and commented, so everyone on the team can easily find, preview, and share media and projects. ShareBrowser is perfect for post-production teams that collaborate around a shared storage workflow, giving everyone a central, searchable database. ShareBrowser shows you your storage workspaces in one spot — including cloud services like Dropbox, Hightail, and Adobe Creative Cloud.

SNS EVO SHARED STORAGE SAN+NAS The SNS EVO shared project/media storage server is a beautiful blend of simplicity and performance, with just the right options to make it perfect for your collaborative workgroups. EVO includes easy-to-use project and media management apps, plus 6K-ready performance and scalability for production teams of any size.

LEARN MORE HOW KEY CODE MEDIA CAN HELP YOUR PRODUCTION WITH A COLLABORATIVE ADOBE, RESOLVE ROUNDTRIP WORKFLOWS

Contact us. Key Code Media is the preferred post production reseller/system integrator, with certified technicians and sales staff available to help walk you through a successful facility, flypack, and post production solution.

AD400 Adobe System Support Certification Overview

The AD400 class will provide students with the techniques to install, configure, and troubleshoot Adobe Creative Cloud editing programs to maximize productivity and minimize system downtime. A blend of online self-study, combined with classroom lab work and role-playing, gives students’ practical hands on experience. After completing the class, participants will be able to install and configure Adobe systems and provide first-line support to the Adobe customer base.

Audience

This class is designed for: Support and maintenance personnel - IT professionals - Adobe editors who wish to expand their technical expertise

Prerequisites

The following are highly recommended: Familiarity with Windows and Mac operating systems Technical and operational knowledge of Adobe Editing Systems: Premiere Pro, Photoshop, After Effects | News and local storage are recommended.

NAB Show 2019 was quite the show with truly innovative software, faster and more reliable hardware, and higher resolutions. The Key Code Media team was out in force helping clients- like yourself- get private meetings with manufacturers, and gain a better understanding of how technology on the show floor could improve your production workflow. Here’s a quick recap of what products we found to be most innovative at NAB Show 2019:

ADOBE | SL2500MR

Adobe continues to develop Adobe Sensei- artificial-intelligence-powered-post-production editing tools, workflow improvements, text/graphic enhancements and performance buffers. In short, this is the tool behind many Adobe Cloud favorite features- such as enhanced search and the content-aware tool.

Speaking of Content-Aware, Adobe After Effects will receive a powerful new content-aware fill tool for video. This feature is extremely useful for replacing unwanted objects intelligently with nearby background pixels. After Effects is able to track and replace the object in real-time- which is pretty amazing and a huge time saver.

Premiere Pro is getting a new Freeform view, allowing users to better arrange clips, sequences, bins, and other assets in a custom layout. The layout has a much more intuitive look allowing editors to find what they’re looking for faster. Premiere Pro is also adding a better ruler and guide for graphics giving users improved snapping functionality when aligning objects and text. Lastly, Premiere Pro is incorporating Adobe Senser-powered Auto Ducking to detect speech and automatically adjust ambient sound levels during scenes with dialog, music or sound effects. 

Check out Apple Insider article for a more in-depth look at all the Adobe NAB announcements.

AVID TECHNOLOGY | SU801

Arguably Avid’s biggest announcement is a ground-up redesign of Avid Media Composer. This is not a incremental update, but an entirely new Media Composer UI Engine which gives users faster, customizable experience for editorial, finishing, and deliverables.

With this announcement, Avid also announced Media Composer | Enterprise 2019 which gives role-specific and task-based layouts so different users can focus on what they need to accomplish. A new Media Composer | Distributed Processing will allow users to offload complex processing tasks when working in today’s emerging high resolution and HDR media-rich worlds.

Avid Editorial Management 2019 will bring much-needed updates such as multi-camera group clips, phonetic search, and the ability to create shot lists and make simple edits on the timeline. These updates make this a must-have product for mid-size facilities looking to give assistant editors, producers, and executives access to media for metadata tagging, commenting, and minor editing from an intuitive web browser.

Avid NEXIS | Cloudspaces aims to help NEXIS storage customers that frequently run out of space or do not have a proper backup workflow with a simple and secure cloud storage. The Avid Storage plans come in 5TB, 10TB, and 25TB plans and will require a credit card for monthly service charges.

Pro Tools | Ultimate software & HD Native systems will get a 50% voice increase in

2019.4 release- enabling native systems to more fully participate in HDX workflows. Incremental Voice Packs enable native systems to scale to a maximum of 768 voices which allows native systems to achieve parity with HDX systems, enabling greater session portability and flexibility to configure a system as needed. Pro Tools editors will also receive 120fps and 4k video support and better H.254 support in the 2019.6 release. You can now also deliver final mixes for Netflix requirements.

You can find all of Avid NAB announcements in the Avid Press Room.

AWS ELEMENTAL | SU2202

AWS Elemental MediaLive, MediaConvert and AWS Lambda will be combined to execute serverless channel playout, achieving linear channel distribution that significantly lowers the cost of over-the-top playout at scale.

The new AWS Elemental MediaTailor will create content-aware advertisement insertion with support for VAST, VMAP, and VPAID standards, and a broad range of DASH functionality.

The Secure Packager and Encoder Key Exchange (SPEKE), developed by AWS, is an open standard that simplifies content protection for video. On-premises and cloud solutions from AWS employ SPEKE to enable seamless integration with DRM key servers for robust content protection.

You can find all AWS NAB announcements in the Elemental News Room.

BLACKMAGIC DESIGN | SL216

Blackmagic Design is announcing a new URSA Mini Pro G2 Camera and Decklink Quad HDMI Recorder. There are also a few major software upgrades, including Blackmagic RAW to Blackmagic Pocket Cinema Camera 4K, and Long Form recording for the Blackmagic Duplicator 4K.

DaVinci Resolve 16 has yet to be announced by judging by the massive banner plastered outside South Hall we should expect to see demoing on the show floor.

You can find all Blackmagic Design NAB announcements in the Blackmagic Design News Room.

CINEDECK | SL12105

Cinedeck's latest ZX models that supports multiple streams of 4K XAVC record, RGB10/12 bit ingest and a free, fully customizable RESTful API. The latest cineXtools update lets you instantly update, edit and change the metadata in your files with no rewrapping or re-exporting. You can find all Cinedeck NAB announcements in the Cinedeck News Room.

FACILIS TECHNOLOGY |  SL6321

Facilis HUB Shared Storage is an all-new line of products developed in response to customer requests for a more compact server chassis, lower-cost hybrid (SSD and HDD) options, and integrated cloud and LTO archive features. It features new, more powerful hardware with new drive capacity options and a brand-new look to both the system and the software interface. Every Facilis HUB Shared Storage server comes with unlimited seats of the Facilis FastTracker 3.0 Asset Management application, with advanced proxy generation features and a desktop browse application for searching, previewing, and downloading assets. A big problem for broadcasters and post facilities is managing multiple interfaces for the various locations of their data. With Facilis Object Cloud, files in multiple locations reside in the same directory structure and are tracked by the Facilis FastTracker asset tracking application in the same database as any active media asset. Object Cloud utilizes Object Storage technology to virtualize a Facilis volume with cloud and LTO locations. This allows access to files that exist either entirely on disk, entirely in the Cloud or on LTO, or even partially on disk and partially in the cloud. Object Cloud Software and Storage package is available for most Facilis servers running version 7.2 or higher.

You can find all Facilis announcements on the Facilis Technology website.

IPV | SL5027

IPV Curator will be integrating sophisticated AI and cloud technologies to its already powerful media management system. New speech-to-text integration will bring automated captioning and automatically create searchable metadata. This will be super useful for broadcasters looking to automate asset tagging, as well as searching and reusing media.

For Adobe Premiere Pro users, Curator Project Connect will automatically capture metadata and identify unused files. Curator Project connect will also help migrate existing projects to new cloud-based storage, without the need to manually relinks files.

You can find all IPV announcements on the IPV website.

LIVEU | SU4810

LiveU Matrix will take center stage in the booth with demonstrations of the next-generation IP cloud video management platform. Alternative sports productions featuring HEVC and At-Home Production will also be featured.

The super robust, compact LU300 HEVC field unit and the award-winning LU600 4K HEVC solution will also be available for demonstrations.

It’s worth mentioning that LiveU will have a G1 Formula race car fitted with a LiveU unit in their booth. Definitely worth a photo opp!

You can find all LIVEU announcements on the LIVEU website.

MASSTECH | SU3710

Masstech is demonstrating Clover, its new hybrid cloud object storage solution. The system combines media asset management, review/approval, transcode and file delivery within a slick storage agnostic platform. The systems also support multiple private cloud systems, such as Cloudian or Caringo, and major public clouds (Amazon AWS, Google, Microsoft Azure, Wasabi). You can more information on the Masstech website.

NEWTEK | SL5016

Arguably one of the largest announcements, NewTek was acquired by broadcast graphic giant Vizrt on April 1st! No, that’s not an April fools joke. Andrew Cross touts that there is significant synergies between the two companies. NewTek strong competencies in all-in-one production switchers and NDI fits well with Vizrt’s strength in graphics software. Vizrt also will gain access to channel partners, like Key Code Media, expanding its ability to sell beyond its traditional direct model.

NewTek will also announce NDI 4.0 which includes 16 bits per pixel support, offering higher color accuracy than traditional SDI.

The TriCaster will also see a major update. TriCaster will now be able to upload and analyze a show script via a word document, then fully execute a show based on the outline. We’re really curious to see this in action!

There will also be a much needed update to video processing within the TriCaster, allowing users to export uncompressed synced multi-camera files making a faster and better way for editorial to cut the completed show.

You can find all NewTek announcements in the NewTek News Room.

ROOT6 | SL5329

ContentAgent v3.8 brings many new and exciting benefits, including a completely overhauled 64-bit architecture providing improved performance and enhanced support for beyond 4K workflows.

The renowned Platinum Media Engine now offers an integrated Legalizer, saving time and money by not having to go back into an edit suite. In addition, they have extended support for automated QC management by adding Tektronix Aurora to Root6 already impressive list of partners.

Expanding on our Avid integration, users can now ‘Send to ContentAgent’ workflows directly from within their Mac or PC Media Composer bins, freeing up the NLE for creative tasks. On the ingest side, Avid H.264 proxy creation has been dramatically enhanced, saving significantly on transcoding times.

ContentAgent v3.8 also expands its use of off-the-shelf NVIDIA GPUs for heavy lifting tasks. H.265/HEVC, JPEG2000 encoding/decoding and ARRI RAW debayering are now possible. Deliver programs to Netflix using the new IMF Packaging tool, simplifying the IMF creation process.

ROSS VIDEO | SL1805 

Ross Video announced a lot of new products and updates including Furio SkyDolly, Voyager, Mira+ Replay Server, Tria+ Production Server, Carbonite Ultra 4KUHD, Graphite V2.2, Acuity V9, XPression V9, Ross Virtualization Tech Demo, pro-xi, Ultricore BCS & Ultricore IP, Ultritouch, Ultrix 160x, IP & Ultricool, Newt & Iggy IP Point of Use Modules, Inception News V13, Inception Social V13, Streamline News Video Suite, OverDrive V18, Lightning V6, and PowerPlay. We’re not going to cover all 21 announcements, but if you’d like to see them all check out the Digital Studio Me summary. Carbonite Ultra 4KUHD – an upgrade to the Carbonite Ultra production switcher adds native 4KUHD support, enhancing it to 2 full MEs plus 2 MiniMEs with 18 inputs and 10 outputs in native 12G 4KUHD. Graphite V2.2 – an updated version of Ross Video’s all-in-one production switcher, graphics and audio solution that now features enhancements to the Rave audio engine including audio equalization and improved audio input and output configuration. XPression V9 – the industry’s fastest-growing graphics platform is updated with a host of new features including enhanced support for 4KUHD, HDR (High Dynamic Range) and Wide Color Gamut (WCG); in addition a new font manager, new video frame selector and a host of other features have been added to V9.

You can find all Ross Video announcements in the Ross Video News Room.

SCALE LOGIC | SL11109

Scale Logic will be hosting a ‘Knowledge Zone’ ” for NAB attendees seeking insights about media management and asset protection. During each day of NAB, Scale Logic experts will host a booth discussion and demo tackling a different topic in media management. These sessions will feature specific customer presentations that highlight the common experiences and challenges of working in high-performance environments.

You can find all Scale Logic announcements on the Scale Logic website.

STUDIO NETWORK SOLUTION (SNS) | SL3305

The SNS EVO ecosystem is getting a massive upgrade including new clustering, sync and backup, and ShareBrowser extensions for Adobe Premiere Pro, Final Cut Pro X, and Adobe After Effects. 

EVO Nearline now supports clustering to help organizations with massive storage requirements manage anywhere from 500TB to multiple petabytes in a single, easy to manage storage namespace. If your team is feeling the pressure of continually increasing data requirements, Nearline storage offers a cost-effective way to handle all of that data without eating up valuable space on your high-speed shared storage server.

Slingshot—the automation engine and API for EVO—can now automatically sync, copy, and backup your shares, folders, and files. This opens up a world of possibilities for multi-system syncing, including: EVO to EVO, EVO to EVO Nearline, and EVO to EVO Nearline to Amazon S3. Replication can be run on-demand, or as scheduled incremental sync/copy jobs, with the ability to define a start time and stop time, so that transfers only occur when you want them to.

Sharebrowser can now be accessed through a panel in Final Cut Pro X, Adobe After Effects, and Adobe Premiere Pro giving creators the ability to seamlessly bring media with metadata into a project. 

You can learn more about SNS announcements on the SNS website.

STORAGEDNA | SL11810

StorageDNA will be introducing DNAfabric, DNAevolution V5, and the new Storage Decision Matrix.

DNAfabric is an entirely new product providing a host of data management services for all your nearline, archive, cloud, and local storage. Administrators will be given deep analytics and custom reports on storage space availability, utilization, and a host of other features which will empower users to better manage and utilize their entire storage network within a single dashboard. This is going to be a must-see product for small-to-large networked facilities.

You can learn more about StorageDNA announcements on the SDNA website.

TELESTREAM | SL3308

Telestream has been busy in the R&D lab this year- and it shows. Announcing several new products and critical upgrades to legacy products. One of their biggest new solutions is OptiQ, a new and radically different one-click channel creation solution for cloud environments.

New Telestream Vantage advancements include cloud and hybrid workflows, new camera ingest functionality, Traffic Manager options with improved Grass Valley ITX integration, and growing file support for IBM Aspera.

Vantage Cloud Port media processing services have been developed and qualified to run on Microsoft Azure. Vantage Cloud Port allows seamless Cloud execution of Vantage processing actions using containerized micro-services with engines identical to on-prem services. These modular, orchestrated building blocks can optimize both brownfield and greenfield deployments. 

New Wirecast release features a built-in stock media library of over 500,000 unique, high-quality media assets including transitions, motion backgrounds, audio backing tracks and video clips.

You can learn more about Telestream announcements on the Telestream website.

QUANTUM | SL4409

Quantum New F-Series NVMe Storage Platform promises speeds that are 5x faster than traditional flash storage. This new high-end storage offering will relieve bottle necks felt in 4K and 8K editorial/finishing, allowing medium-to-large teams edit in high resolutions without any latency.

You can find all Quantum announcements on the Quantum website.

Original Article: Introducing the New ShareBrowser Panel for Adobe Premiere Pro

SNS is looking for new ways to improve the creative process. Whether that’s enhancing the way you manage and share projects with your team, or adding new capabilities to the way you interact with media inside your editing software.

The latest update brings ShareBrowser — the easy to use media asset management software — directly into Adobe Premiere Pro, and gives you exciting new ways to access media, stay organized, and collaborate without leaving your timeline.

A better way to interact with files

The new ShareBrowser panel for Adobe Premiere Pro makes finding and importing media into your timeline faster than ever. You can now search, preview, and import media from anywhere on your storage system without ever leaving Premiere.

Your metadata, where you need it

Logging clips can feel tedious; SNS has that. It’s even worse when metadata is locked in a single application. They first addressed this problem in ShareBrowser by enabling you to export your media and metadata from the desktop app with ‘export to Premiere.’ But SNS wanted it to be even more integrated into your creative process, inside the software you use every day.

With a simple drag and drop, or a single-click, multiple files can be imported directly to your bin.

The Premiere Panel also gives you full access to your ShareBrowser metadata, and when you import a clip, your tags and comments come along into Premiere so you can continue to reference them throughout the edit.

An entire media library at your fingertips

ShareBrowser is designed to make media asset management more intuitive than ever before.

That means you can always manage and access your media without ever hitting ⌘+K to mount network drives, or opening a bunch of Finder windows. Because the Premiere panel is showing you proxies that have been generated by ShareBrowser, it doesn’t even matter if the media is currently offline, with a single click you can automatically mount the required storage without ever leaving your timeline.

Contact Key Code Media About SNS Products

Key Code Media is an experienced SNS Reseller, with deployments of SNS storage solutions across the country, in hundreds of unique environments.  

WEB EVENT DESCRIPTION:

AUGUST 2018: August 23rd @ 10:00am SNS | Premiere Pro Shared Storage for Post Production

 

This month, Key Code Media’s Broadcast2Post Web Series is inviting SNS to demonstrate how post-production facilities can better integrate Premiere Pro into their workflow. Collaborate with multiple editors, motion artists, designers, producers and other team members through Adobe Premiere Pro like you've never seen before. Create a searchable, organized database of our media so you always know how to find the right shot. Improve metadata management in Premiere projects, saving time with easy-to-use automation.

See a real-world example of how Adobe Premiere Pro can be leveraged in your production facility to create more flexibility and efficiencies.

**A link to the webinar will be provided 5-days prior to the event via email. Register now to attend!

 

SPEAKERS:

Steve McKenna,SNS Michael Kammes, Key Code Media

DEMO PRODUCT:

SNS EVO Shared Storage SNS ShareBrowser

Contact us for a private demonstration, workflow consultation or pricing:

PR101 Adobe Premiere Pro I Overview

PR101 is designed to allow those new to video editing learn to assemble video, audio, images and titles into a cohesive sequence that tells a story. This class teaches you how to best utilize Premiere Pro for your video editing projects from content for websites, product demonstrations to corporate videos and other promotional or educational purposes.

Audience

This class is designed for: Producers - Editors - Assistant Editors - Multimedia Producers

Objectives

Upon completion of this class, students will be able to: 
  • Introduction to the interface, workspaces, projects
  • Learn to import media 
  • Customize the interface 
  • Work with transitions 
  • Discover editing techniques 
  • Control effects 
  • Learn to correct color 
  • Create titles 
  • Work with audio 
  • Learn to render and export

Prerequisites

No experience with Adobe Premiere Pro is necessary. A working knowledge of Windows or Mac operating systems.

PR201 Adobe Premiere Pro II Overview

Explore advanced techniques used by professionals to create videos. This class covers many time-saving workflows and tools including Dynamic Link with After Effects, Audition and Media Encoder. Learn to work efficiently in HD by optimizing your workstation and workflow. Expand on your editing skills with more advanced edits and tools such as slip and slide edits. This class also covers audio correction and sweetening with Premiere Pro and Adobe Audition. Your instructor will cover the pitfalls and the best practices will be followed so that you are editing, producing and exporting your video properly.

Audience

This class is designed for: Producers - Editors - Assistant Editors - Multimedia Producers

Objectives

Upon completion of this class, students will be able to: 
  • Learn advanced editing mechanics 
  • Discover sophisticated effects 
  • Use keyframing properties and effects 
  • Use advanced color correction 
  • Use advanced audio 
  • Perform multicam editing 
  • Create animated titles 
  • Understand advanced exporting options 
  • Discover project archiving

Prerequisites

The following is highly recommended: PR101 completion or equivalent experience.

PR250 Adobe Premiere Pro for Experienced Editors Overview

This class goes over everything in the PR101 but in a fast-paced learning environment for experienced editors looking to expand their skillset to include Adobe Premiere Pro. The PR250 takes your existing skills in editing and translates them into the Adobe Premiere Pro interface. Learn how easy it is to transfer your knowledge as well as learn new skills unique to Premiere such as motion graphics, titling, effects, shared projects, and more. 

Audience

This class is designed for: Editors experienced in Avid Media Composer, DaVinci Resolve, Final Cut Pro, or similar

Objectives

Upon completion of this class, students will be able to: 
  • Introduction to the interface, workspaces, projects
  • Learn to import media 
  • Customize the interface 
  • Working with transitions 
  • Discover editing techniques 
  • Control effects 
  • Learn to correct color 
  • Create titles 
  • Work with audio 
  • Learn to render and export

Prerequisites

A background as an editor, assistant editor, director, or producer is strongly recommended.

WATCH LIVE - AUGUST 23RD @ 10AM PACIFIC! WATCH HERE

Key Code Media Presents: Broadcast2Post Web Series

AUGUST 2018: SNS | Premiere Pro Shared Storage for Post Production 

This month, Key Code Media’s Broadcast2Post Web Series is inviting SNS to demonstrate how post-production facilities can better integrate Premiere Pro into their workflow, including collaboration with multiple editors, motion artists, designers, producers and other team members. Create a searchable, organized database of our media so you always know how to find the right shot. Improve metadata management in Premiere projects, saving time with easy-to-use automation. 

SPEAKERS:

Steve McKenna,SNS Michael Kammes, Key Code Media

DEMO PRODUCT:

SNS EVO Shared Storage

WATCH THE TEASER VIDEO:

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  • What Project Sharing is and some of its key benefits
  • Shared Project functionality & common workflow issues
  • How Shared Storage plays a role in the industry
Drinks and appetizers will be served from 5 PM onwards - we'll have demos and equipment there for hands-on sessions, and there will be a live demonstration starting at 6pm followed by more time to mingle. [/av_textblock] [/av_two_third] [av_one_third min_height='' vertical_alignment='' space='' custom_margin='' margin='0px' padding='0px' border='' border_color='' radius='0px' background_color='' src='' background_position='top left' background_repeat='no-repeat' animation='' mobile_display=''] [av_image src='https://www.keycodemedia.com/wp-content/uploads/2017/07/kcm.jpg' attachment='4326' attachment_size='full' align='center' styling='' hover='' link='' target='' caption='' font_size='' appearance='' overlay_opacity='0.4' overlay_color='#000000' overlay_text_color='#ffffff' animation='no-animation'][/av_image] [av_textblock size='' font_color='' color='']

Thursday December 7th, 2017 5:00pm PST G-Technology Corporate Office, Los Angeles

[/av_textblock] [av_button label='Register Now' link='manually,https://www.eventbrite.com/e/g-technology-adobe-mixer-in-hollywood-tickets-39754254044' link_target='' size='small' position='center' icon_select='yes' icon='ue80a' font='entypo-fontello' color='theme-color' custom_bg='#444444' custom_font='#ffffff'] [/av_one_third][av_partner columns='2' heading='' size='no scaling' border='av-border-deactivate' type='grid' animation='slide' navigation='arrows' autoplay='false' interval='5'] [av_partner_logo id='4000' hover='' link='' linktitle='' link_target=''] [av_partner_logo id='4003' hover='' link='' linktitle='' link_target=''] [/av_partner] [av_image src='https://www.keycodemedia.com/wp-content/uploads/2017/11/gtech2.jpg' attachment='4616' attachment_size='full' align='center' styling='' hover='' link='' target='' caption='' font_size='' appearance='' overlay_opacity='0.4' overlay_color='#000000' overlay_text_color='#ffffff' animation='no-animation'][/av_image]
[av_image src='https://www.keycodemedia.com/wp-content/uploads/2017/11/collaborative-video-editingstep2.jpg' attachment='4609' attachment_size='full' align='center' styling='' hover='' link='' target='' caption='' font_size='' appearance='' overlay_opacity='0.4' overlay_color='#000000' overlay_text_color='#ffffff' animation='no-animation'][/av_image] [av_two_third first min_height='' vertical_alignment='' space='' custom_margin='' margin='0px' padding='0px' border='' border_color='' radius='0px' background_color='' src='' background_position='top left' background_repeat='no-repeat' animation='' mobile_display=''] [av_textblock size='' font_color='' color=''] Join Key Code Media as they give a sneak peek into a match made in collaborative heaven! With Adobe's new shared projects features, coupled with Quantum's new scalable Xcellis Foundation, you'll learn how they can help get you and your team to collaborate seamlessly on projects together. During this 20 Minute Webinar, you'll learn more about:
  • What Project Sharing is and some of its key benefits
  • Shared Project functionality & common workflow issues
  • How Shared Storage plays a role in the industry
  • Why having a Quantum solution is advantageous for users and how it helps enable an Adobe Workflow
[/av_textblock] [/av_two_third][av_one_third min_height='' vertical_alignment='' space='' custom_margin='' margin='0px' padding='0px' border='' border_color='' radius='0px' background_color='' src='' background_position='top left' background_repeat='no-repeat' animation='' mobile_display=''] [av_image src='https://www.keycodemedia.com/wp-content/uploads/2017/07/kcm.jpg' attachment='4326' attachment_size='full' align='center' styling='' hover='' link='' target='' caption='' font_size='' appearance='' overlay_opacity='0.4' overlay_color='#000000' overlay_text_color='#ffffff' animation='no-animation'][/av_image] [av_textblock size='' font_color='' color='']

Tuesday December 5th, 2017 11:00am PST

[/av_textblock] [av_button label='Register Now' link='manually,https://www.eventbrite.com/e/shared-projects-done-right-tickets-39133055021' link_target='' size='small' position='center' icon_select='yes' icon='ue80a' font='entypo-fontello' color='theme-color' custom_bg='#444444' custom_font='#ffffff'] [/av_one_third] [av_partner columns='2' heading='' size='no scaling' border='av-border-deactivate' type='grid' animation='slide' navigation='arrows' autoplay='false' interval='5'] [av_partner_logo id='4003' hover='' link='' linktitle='' link_target=''] [av_partner_logo id='3744' hover='' link='' linktitle='' link_target=''] [av_partner_logo id='' hover='' link='' linktitle='' link_target=''] [/av_partner]

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Nationwide Systems Integrator For A/V, Broadcast, Production Equipment Solutions.

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Purchase AV, Broadcast, and Production equipment from a dealer that cares about your success. With 300 reseller partnerships, we can be a true ally for your procurement needs.

INTEGRATE

Professional & technical services- including consult, design, systems integration and aftermarket equipment support. Completing over 700 projects a year, our certified engineer team is the best in the business.

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Online, Onsite, Classroom training resources insures your team can optimize performance in the workplace. Key Code Education has a training facility located in Burbank, CA and is a Certified Learning Partner Center.

SIMPLY THE BEST AV, BROADCAST, AND POST PRODUCTION SYSTEMS INTEGRATOR

Key Code Media is the preferred resource for audiovisual equipment, installation, and aftermarket support. We approach complex projects with a high-touch customer service focus, ensuring equipment is delivered, installed, and adopted by a customer successfully. Our solutions include: A/V (Conference Rooms, Lecture Halls, Classrooms, Video Walls, Collaborative Offices, City Council Chambers), Broadcast (Comm Systems, Flypacks, OB Truck, and Control Rooms), Production (Audio Suites, Video Edit Suites, and Networking). 

We focus on your vision and business needs, deploying solutions that work today and into the future, keeping you ahead of technology. C7 & C10 #1010561

“Key Code Media takes a different approach, providing customers a high-touch service experience, making sure even after the equipment gets installed, it works properly and the customer's team can successfully use it. It’s a huge differentiator.”

– Mike Cavanagh
Founder & President

Audiovisual Equipment Design, Install, Integration, Support

A/V

Conference Rooms, Collaborative Offices, and Digital Discussion Systems

Broadcast

Camera Systems, Comm System, Flypack, Ingest & Playout, OB Truck, Prompting, Replay Systems, Studio Lighting, Video Switchers

Production

Audio Suites, Video Edit Suites, and Networking

Video Walls

IPTV, Digital Directories, Data Board, Retail Branding, and Corporate Lobby

Working With The Best

Key Code Media Industry News and Events

Key Code Media will keep you up-to-date with the latest AV, Broadcast, and Post Production equipment announcements, industry events, and video tutorials.

Post Production Workflow: Hybrid Teams and Management

Post Production Workflow: Hybrid Teams and Management

In this blog and podcast discussion, the Key Code Media team reviews the landscape for creative video editing and finishing workflow products currently used to build or upgrade post production workflows. When I think of the state of Post Production, I can’t help but...

Key Code Media Acquires Access A/V

Key Code Media Acquires Access A/V

Key Code Media Acquires Access A/V New England-Based Systems Integrator Joins Growing Integrator Broadcast, post-production, and audiovisual systems integrator Key Code Media agreed to acquire New England-based professional video and audio systems integrator Access...

Action Required: HP ZCentral / Remote Boost Users

Action Required: HP ZCentral / Remote Boost Users

HP recently made a significant announcement about the HP Z Central / Remote Boost / RGS product that requires your attention. In January 2023, HP Z Central users will be charged a yearly subscription- starting at $120 per license. This potentially can disrupt teams...

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